Floating Epigraphs
One thing that I've learned in academia is no one
much cares what your politics are as long as you
don't do anything about them. You can espouse the
most radical positions imaginable, as long as you're
willing to be a hypocrite about them. The moment you
give any signs that you might not be a hypocrite,
that you might be capable of standing on principle
even when it's not politically convenient, then
everything's different. And of course anarchism isn't
about high theory: it's precisely the willingness to
try to live by your principles.
- David
Graeber
There have also been anthropologistsamong them,
some of the founding figures of the discipline who
have themselves dabbled with anarchist, or anar-chistic,
politics.
Peter
Kropotkin
It was by mere accident that Elie Reclus, who
had kept to his post until the last moment,
escaped being shot by the Versailles troops ; and
a sentence of deportation having been pronounced
upon him - for having dared to accept so
necessary a service under the Commune (re.
Napoleon III, 1880s) - he went with his family
into exile. Now on his return to Paris, he had
resumed the work of his life, ethnology. What
this work is my be judged from a few, a very few
chapters of it, published in book form under the
title of Primitive Folk, and The
Australians as well as from the hitory of
the origin of religions, which formed the
substance of his lectures at the Ecoles des
Hautes Etudes, at Brussels, - a foundation of his
brother. In the whole range of ethnological
literature there are not many works imbued to the
same extent with a thorough and sympathetic
understanding of the true nature of primitive
man. As to his history of religions...
undoubtedly superior to erbert Spencer's attempt
in the same direction because Spencer, with all
his immense intellect does not possess that
understanding of the artless and simple nature of
the primitive man which Eli Reclus possesses to a
rare perfection, an to which he has added an
exremely wide knowledge of the rather neglected
branch of folk psychology, - the evolution and
transformation of beliefs..... In a society less
fond of patented tuition and of piecemeal
instruction, and more appreciative of the
development of wide humanitarian concepts, he
would be surrounded by flocks of pupils, like one
of his Greek prototypes. - by Peter Kropotkin, Memoirs
of a Revolutionist.
"Primitive
Folk" - by Elie Reclus - a republican in the political sphere, a
socialist in the economic sphere, and an
anarchist in the sphere of individualityTHROUGHOUT
winter the Aleutians are not always
hunting the bear and the fox, or
surprising the poor seal when he puts his
nose out of his hole to breathe; they
cannot be always constructing boats and
making sledges or snow-shoes. Life would
be unendurable if they did not give
themselves some little rest. The hovel
being poor and miserable, there is all
the more reason for being gay. The
Esquimaux laughs at everything: laughs at
the white man with his hundred tools and
his thousand knick-knacks; he laughs
while thawing his nose and
hands, which are in danger of gangrene;
he laughs while letting oil run down his
throat, while greasing his skin, and
while lubricating his garments within and
without; he laughs, and asks nothing but
laughter. The Inoits have few pleasures
but those of society, and of these they
do not deprive themselves. The climate
being hostile, the earth a harsh
step-mother, they feel the need of
keeping close together, of helping one
another, of loving one another. What the
outer world refuses them they ask from
the inner. After all, there is for man no
better companion than man; it is in
consorting with his fellows that he
developes his original qualities and his
highest faculties. Were it not that the
Esquimaux tribes are great families,
closely united, were there not communism
thorough and deep rooted, their little
republics would have speedily
perished....
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The most notorious case was that of a turn of the
century student named Al Brown, known to his college
friends as Anarchy Brown. Brown was an
admirer of the famous anarchist Prince (he of course
renounced his title), Peter Kropotkin, arctic explorer
and naturalist, who had thrown social Darwinism into a
tumult from which it still has never quite recovered by
documenting how the most successful species tend to be
those which cooperate the most effectively.
Perhaps the most intriguing case though is that of Marcel
Mauss, Radcliffe-Browns contemporary, and the inventor of French anthropology.
Mauss was a child of Orthodox Jewish parents who had the
mixed blessing of also being the nephew of Emile
Durkheim, the founder of French sociology. Mauss was also
a revolutionary socialist. For much of his life, he
managed a consumer co-op in Paris, and was constantly
writing screeds for socialist newspapers, carrying out
projects of research on co-ops in other countries, and
trying to create links between co-ops in order to build
an alternative, anti-capitalist, economy. His most famous
work was written in response to the crisis of socialism
he saw in Lenins reintroduction of the market in
the Soviet Union in the 20s: If it was impossible
to simply legislate the money economy away, even in
Russia, the least monetarized society in Europe, then
perhaps revolutionaries needed to start looking at the
ethnographic record to see what sort of creature the
market really was, and what viable alter-natives to
capitalism might look like. Hence his Essay on the
Gift, written in 1925, which argued (among other
things) that the origin of all contracts lies in
communism, an unconditional commitment to anothers
needs, and that despite endless economic textbooks to the
contrary, there has never been an economy based on
barter: that actually-existing soci-eties which do not
employ money have instead been gift economies in which
the distinctions we now make between interest and
altruism, person and property, freedom and obligation,
simply did not exist.
Mauss believed socialism could never be built by state
fiat but only gradually, from below, that it was possible
to begin building a new society based on mutual aid and
self-organization in the shell of the old; he
felt that existing popular practices provided the basis
both for a moral critique of capitalism and possible
glimpses of what that future society would be like. All
of these are classic anarchist positions. Still, he did
not consider himself an anarchist. In fact, he never had
anything good to say about them.
- David Graeber, Fragments
of An Anarchist Anthropology
The Anarchist Luis Buņuel........

The Idea about making a film about Christian heresies
first came to me just after my arrival in Mexico hen I
read Menendez Pelayo's Historia de lost Heterodoxos
Espaņoles. Its accounts of Martyred heretics
fascinated me - those men were as convinced of their
truths as the orthodox Christiona were of theirs. In
fact, what always intrigued me about the behaviour of
heretics is not only their strange inventiveness, but
their certainty that they possess the absolute truth. As
Andre Breton once wrote, despite his aversion to
religion, the surrealists had "certain points of
contact" with the heretics. Everything in The
Milky Way is based on authentic historical
documents. The archbishop whose corpse is exhumed and
publicly burned (when personal papers tinged with
heretical ideas was found after his death, was infact a
real Archbishop Carranza of Toledo.Paul Frankeur and
Laurent Terzieff played the two pilgrims walking to
Santiago de Compostella who meet, on their way, a series
of characters from all ages and places representing
heresies of our culture..... And for the second last time
I also put Christ himself, played by Bernard Verley, on
camera. I wanted to show him as an ordinary man,
laughing, running, mistaking his way, preparing to shave
- to show, in other words, all those aspectrs so
completely alien to our traditional iconography. It
seemed to me that in the evolution of contemporary
religion, Christ occupies a disproportionately privileged
place in relation to the two other figures in the Holy
Trinity. God the Father still exists, ofcourse, but he's
become vague and distant ; and as for the unfortunate
Holy Ghost, no one bothers with him atall anymore. He
must be begging at roadsides by now.
Carlos Fuentes saw it as an anti-religious war movie,
while Julio Cortazar went so far as to suggest that the
Vatican must have put up the money for it. these
arguments over intention leave me finally indifferent,
since in my opinion The Milky Way is neither for
nor against anything atall. Besides the situation itself
and the authentic doctrinal dispute it evokes, the film
is above all a journey through fanaticism, where each
person obstinately clings to his own particle of truth,
ready if need be to kill or to die for it. the road
travelled by the trwo pilgrims can represent, finally,
any political or even aesthetic ideology.
Just after the movie opened in Copenhagen, a caravan
of gypsies - men, women and children - who spoke neither
Dutch nor French drove up to the theatre, and everyone
piled out and bought tickets. they returned several days
in a row to see the movie, until finally, beside himself
with curiosity, the owner of the theatre did his best to
find out why they kept coming back. He tried several
times to ask them, but since he didn't speak their
language, they couldn't communicate. In the end he let
them in free.
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