
Edward Said spoke of music as political resistance
"Beethoven is
sustained by an abiding rational faith .........a faith
in humanity, which otherwise slowly disappears over the
course of the century into private myths - if you think
of Wagner - or into music, as Adorno describes the case
of Schoenberg, that's totally immobilized. It doesn't
have a social or humanistic message anymore.
"Beethoven is, to a certain extent about that (there
are certain things that one must not accept) that is to
say there is resistance.I'm more interested in what can't
be resolved and what is irreconciliable.....that's what I
think is, in the contrast between aesthetics and
politics, that if every aesthetic phenomenon could be
somehow recuperated to a political one, then in the end
there is no resistance; whereas I think it is useful at
times to think of the aesthetic as an indictment of the
political - it's a stark contrast, forcefully made to
inhumanity, to injustice.
"For me, as somebody who cares so deeply about
music, a very important part of the practice of music is
that music, in some profound way, is perhaps the final
resistance to the acculturation and the commodification
of everything."
Parallels and Paradoxes.Dec.14. 2000.
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